“Long Live Love”

— a monument to now

“*Listen* To Me”


I begun the day in a wistful way—
Your loquaciousness
is so very precious
Ur mind’s delicious
– – – – – – – – –
Despite all this adversity
this ever so harsh reality
& De Profundis’ centrality
– – – – – – – –
You dominate my mind totally
Visions of you so consume me
My constant motif is but you

—but t’was fleeting and soon faded away
. . . . . . .
So listen to me now and do not say,
or utter, a single ‘fucking’ word.
I’ll speak from where they say,
reason does not dare descend.
. . . . . .
Oh for the hands they are a telling,
they are tolling for last orders.
Ignore this play with wording,
it’s just sum wit rejoinders.
. . . . .
Because you do know me and I so know you,
let’s send to hell this thing called reason.
Let all caution be exiled to Timbuktu,
sense!? Let it sing to the horizon.
. . . .
Hear the heart drown out the head,
let reason go, let it sail to a vortex,
Quick to silver, subside to sand,
let it quarry a swirl of Semtex:
. . .
East lays laden with forbidden fruits of Eden;
Shades of purple, orange ‘n’ London-grey;
The road must now be undertaken for
Xanadu opens with a vision of jay.
. .
I know but one deep immutable truth,
you r my singular fountain of youth
.
send me by strive, your kiss of life.

I do know well the Greek modes of love /
I do know my station on their Dionysian-derived cline // oft depicted as a triangle (△) encircled in psychology journals:

“Greek Love”
— Humankind’s attempts to classify love /lʌv/ (the four-lettered word that conquers all else) starting with Sappho.

It’s out there (my station), I am an outlier. I’m now well beyond the pale, o loved one, I’m upon the opposite side of the river from the legions of righteous ones. I read it said that I’d be labeled a serial sinner (you know, condemned as a renegade reprobate). Myth and make believe — the tract I refer to — is though, but a form of statecraft (a claim that would once have been enough to see me be tethered to a stake and to feel the pain of the flame lick and lash at my naked floundering feet, see: 📙 “Hammer of Witches”). Myth and make believe (our “mumbo-jumbo,” jay) are the modus operandi for…, the mode to use when…, concocting statecraft. You see, statecraft is penned patronage. It is paid patronage for the poets and prose makers that write (well) what their paymasters want to be read and remembered. History is verily the victor’s diktat. (What that we are informed is seminal and pivotal, gospel and sacrosanct, the scripts and texts, the tracts and tomes that underpin our understanding, define our being and determine the circumference confines of our culture and civilisation, are what yesteryear’s men of good fortune decided they liked, determined should not be burnt and declared be deemed divine: “Praise You ma’Love.” The anthologies and authoritative lists are set in stone albeit of age-old codex form [more pulpwood cedar ‘n’ larch then than igneous granite {graveyard-grade} ‘n’ sedimentary clay {desert-baked}]. Diligently now, they are being scanned and transcribed to reside in digital form [with audio to boot]. Electronic egalitarianism yes! [1]  But, a further consolidation of what is and what isn’t canonical. Shibboleth — that’s the name given to the centurion gatekeeper who’s older than Rome and Athens — goes back, and I can painfully attest to this, to the bubbling springs of Babylon and the torrential downpours of Uruq. I mean — mouth the following ‘K.R.-style’ — “Come On” Dear reader!” Do we really believe that the carver of the Löwenmensch figurine — a lion-cum-human hewn from a woolly mammoth’s tusk — was anything other than a man; gifted with gold, or the like, by the then chieftain whose Machiavellian right-hand man had deduced that if the clan were to willingly waste there time worshiping an idol, they’d be less likely to question hereditary hierarchy and more likely to conduct their affairs in an opiated kind of way [pay your taxes, your dues to Caesar, do it faithfully, do it obediently for, who are we {who were they?} to hold the powers that be to account? we accept you had to rape and pillage the village in order to teach, you had to kill to save, war is peace, let man control woman in matrimony {thus he’ll not hit back at his master but instead wallop his wife when he gets home} and six + nine is no more or no less that fifteen on the clock {Look for the numbers, it is all about the numbers, not around the numbers, but into the numbers. seven has been found to be divine ((but only if read in ancient Hebrew form [[the power and the divinity is lost in translation]] for in that script, in Genesis 1:1 — “In the beginning, …” — we will note that the number seven is written all over it [[(1) there are seven words in this opening verse (2), there’s 28 letters in total {{divisible by seven}} (3), the first three words have 14 letters {{divisible by seven}}, (4) the last four words have 14 letters too {{divisible by seven}} (5), the words: God, heaven, and earth also add up to 14 letters {{divisible by seven}} (6), the remaining words add up to 14 letters as well and (7) the middle word in Genesis 1:1 — when written I reiterate, emphasis and underscore, in ancient Hebrew form — is the shortest, with two letters, but, ‘but,’ the words to the right and left of it have 5 letters each so, combining with either would give us seven too {{proof positive of the almighty one, no? irrefutable evidence of The Invisible Hand or — dare we utter an or… or evidence that wordsmiths have been at play, crafting away, for several millennia or more? (((it is a known known that the good scriptures, while filled themselves with numerical patterns — hidden meanings — expressly forbade us, those made of clay, to dabble in such pursuits; to quote Deutronomy 18:10–12: “Let no one be found among you who … practices divination or sorcery, interprets omens, engages in witchcraft, or casts spells, or who consults the dead. Anyone who does these things is detestable.”)))}}.]])) seven is heaven — oh yes! It rhymes, but what of the sinuous serpentine six? and it’s naughty partner in crime: number nine? ((On six: In Revelation 13:18, the number of the Beast is written with the Greek symbols for 600 and 60 and 6. On nine: This number is related to the number six, being the sum of its factors — 3×3=9, and 3+3=6 — it also purported to be the number of finality and/or judgment; you see, it was in the 9th year of Hosea’s supremacy that the King of Assyria destroyed the northern capital city of the Israelites and too, it was the the 9th year of King Zedekiah’s reign that Nebuchadnezzar, King of Babylon, conquered the southern city of the Israelites.))}.].) And, to the unforgiving wilderness of solitude and exiled abstinence that I face on this side of the river’s bank, I say unto you: I know well the lines of “De Profundis” for recently, I’ve poured over them again and again. I hear it has a word count of circa 50,000 but this wasn’t noticed by I. I was, you see, carried away by the assonance (imagined) and the associations… the adages and the aphorisms… the allegories and the allegations:


Yet each man kills the thing he loves
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword.

I, ____, take you, ______, for my lawful wife/husband, to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness and health, until death DO us part:

📘 “De Profundis”
— analysis, audio & book in HTML/PDF formats.

Apollo in the Forge of Vulcan (1630) by Diego Velázquez
Baroque | Camp | “Apollo in the Forge of Vulcan” by Velázquez (1599–1660) (1630) — Diego Rodríguez de Silva y Velázquez was a Spanish painter and the leading artist in the court of King Philip IV. Velázquez’s artwork became a model for 19th c. realist and impressionist painters and, in the 20th century, artists such as Pablo Picasso, Salvador Dalí and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images.

— § —


NOTES

[1]   Suffice to set out here — from the surfeit that’s out there free of charge — are the following six (I show no fear & no favour in their selection):
1. — ancient-literature.com
2. — archive.org
3. — classics.mit.edu
3. — gutenberg.net.au
4. — gutenberg.org
5. — sacred-texts.com

I grasp

for you

“Verse XIV”

 
In this hour I feel you like never before
*
As you lay there imprisoned in a state of isolation, I lay here restless in the straight jacket of my making.
*
I see the naïveté of a youth transcend to the reason of an adulthood. Along has come a first dose of morbid fear: a realisation that this is life and no, no it’s not going to unfurl and happen but that it is, it is unraveling and happening.
*
In this hour I need you like never before.

Click here to see Bidoonism's pictorial profile of Lucian (
Click to see Bidoonism’s pictorial profile of Lucian “the lothario” Freud.

“Come On Gaius”

 
I love beginnings
Love! “So strong!” It is though
Oh how much I know this
Venus to Uranus
Exploded with a kiss
&
I hate though endings
Hate! “Too strong!” Not at all
All conspires against us
The mean and religious
Everything does curse us.
 

 


NOTES
 
[1]   Uranus _ 27 known moons _ 7th planet from the Sun; named after the Greek god of the sky _ I’ll believe in Pluto ’til I die _ Twenni-seven, huh! Twen Tee Sev En, HUH!

 
Excuse me while I kiss the sky,
you got to get it while you can.
Love cannot save us from fate,
go back to her, I’ll go to black.
 

Intravenous

a hit for the heart (& head)


In the shimmer with a glimmer, came a slight breeze
softer than cotton, was its faint whisper
the crop swayed, my mind jogged
from this did flow, the following sentiment:
Even the richest red poppy-petaled flower —
with the very most resplendent, voluptuous and succulent gum-filled pod,
— does fade and evaporate to nothing
when I compare it to thee.

I kept hearing “Es Jay double-yous” and I thought to myself, ‘you what?’ and said aloud to him, “what can I do!” So, like many nowadays would do and, according to him, what I should do, I went to the internet and looked it up:

Social Justice Warrior
A pejorative term for an individual who promotes socially progressive views, including feminism, civil rights, and multiculturalism.

So “SJW” is a negative frame of reference for hmmmm, let us say — and by no means exclusively — people of a left-wing liberal persuasion. The quid quo pro would be, I guess, ‘the neo-conned’ of the right-wing (you know, the type that were deaf to Ms Christine Blasey Ford’s heartfelt testimony). Man Alive! We’ve uninvited and unwanted grinders ‘n’ grabbers telling us what’s wrong from right — I’ll add to this compendium of delusional luminaries Vladimir Vladimirovich Putin, Jair Messias Bolsonaro &, Recep Tayyip Erdoğan. From where this compulsion to delve into this particular warren came from, I do not know but, I just got [digitally] distracted as per bloody effing usual. (Today’s rabbit hole however, was literal and epic.) I think it began by me reading something to do with the build up to America’s 2020 presidential elections and the mention of Qanon in relation to one L. Boebert, restaurant owner and devout gun carrier. From there, I got to some New York Times podcasts which both expressly considered how the internet is changing humankind as we know it:

§ / Caliphate
Rukmini Callimachi seeks to understand ISIS (داعش).

1 of 12 | 06:28


2 of 12 | 23:47


🔈 ∰ Listen to all

§ / Rabbit Hole
Kevin Roose investigates what happens when our lives move online.

1 of 9 | 5:18


2 of 9 | 27:49


🔈 ∰ Listen to all

Both journalists ^ are deeply dedicated and totally impressed me. I’d like though to emphasise just how profoundly I was moved by Rukmini Callimachi’s professionalism and her meticulously investigated and cross checked information. It’s a world away from click bait and polemic knee jerk presumption. I do say and do mean, Thank Nature for such individuals. A world away too, are are the articles collated here:

Longform
Longform — a website that recommends new and classic non-fiction from around the internet.

From the Longform archives I stumbled upon a 2015 two-part interview with the said Rukmini Callimachi:



Faces open phones
Snapchat has filters
Instagram takes selfies
Facebook now ‘auto’ tags
TikTok takes the bloody lot

Trump. the Q Master :P
Yay!
Qanon -- a glitch within the rich
Yep. . .
The Internet . . .
YES //

Think about it, we most of us (a) don’t want to be conformist and conventional — we don’t want to accept the fact that in all likelihood we are automated animals with next to no free will — (b) we want to be a creature of some distinction and significance yet (c), we want to affiliate with others who think like us and see the world as we do. I won’t harp on about echo chambers and Cambridge Analytica but rest assured nearly all of those silly young boys who got radicalised and for a semester or so wanted to make their computer game lives come true and transform an insular existence to a communal one, did soon realise that dreams and fantasises are better off staying as such. Just consider the lunacy of new year’s resolutions: in principal everything’s paradise, in practice its pedestrian and prosaic (it is banal, boring, dreary, dull, monotonous, mundane, repetitious, run-of-the-mill, tedious, tiresome, uneventful, unexciting and so very fucking humdrum and bereft of excitement).

You see, the so-called dark/deep web ain’t at all as hidden and unknown as some would like it to be (and dare I say, some believe it to be). You really would be delusional if you thought TikTok (ByteDance) wasn’t lovin’ it, loving the fact that they’ve scored the biggest coup against the decadent capitalist West since inception — i.e., the December 1949 clashing of egos in Moscow between Mao Zedong and Josef Stalin. Unbridled, unabridged, verbatim they’ve now a trove of data — much of it innocent and inane, not withstanding — gait, voice and 3D facial info of titanic terabytes. No ICT/SM entity worth its silly.con isn’t tracking every move we make, every step we take, in private/incognito mode. Just because a coder says do not cache/index in the meta-head, does not mean that every deliverer of the internet isn’t caching and logging and instantaneously mirroring every upload, change, view and comment. The notion of total deletion is fanciful. So, you see: Qanon and 4chan etc. etc., the light-right, alt-right, neo-conned and digital Es Jay double-yous are simply providing ICT/SM entities (and critically: the agencies of the state with whom they are symbiotically in cahoots with) priceless reams of data.

I know nothing, and I ain’t supposing that I here by do but, I do somehow see the need to be different (against the powers that be) but affiliate and bond with others — what every Qanon believer, 4chan /w3/ contributor/viewer and loyal follower of angry-man-with-a-web cam wants (whether or not they know it) — to be partially reminiscent of the hero-worship the LSD-addled Jim Jones did attract in his heyday.

Qanon
Qanon —
Going Bananas
— bananas.

And yes, I know that many were essentially kept prisoner and that well over 300 young children in that now overgrown Guyanan jungle commune (no,: “camp”) were given no choice in the act of revolutionary suicide that they sacrificially performed. If ever there was a reincarnation of the mythical Kurtz, J.J. of Jonestown was surely he.

This is the end. . . my beautiful friend: the end. Lost in a Roman wilderness of pain, where all the grownups are insane:–

The End
“The mind of the human is capable of anything” Nonetheless, “We live as we dream — Alone.”

laudanum
“It acted like a charm, like a miracle!” But was rendered to naught when you came into the field of view.


^   =   Another day where I’ve been wholly blown off course by the internet and my plans of getting familiar with the cognitive sciences ahead of the coming semester are fast fading… ‘cognitive dissonance’ is a term I do keep hearing and one that I am keen to get to grips with.

Roses for my grave

=== forget-me-nots ===

Let’s be frank, it’s as easy as A, B, C . . .

A.
To strive, to seek, to find, and not to yield.
.
B.
If I had a flower for every time I thought of you, I could walk in my garden forever.
.
C.
I hold it true, whate’er befall; I feel it, when I sorrow most; ‘Tis better to have loved and lost Than never to have loved at all.
Alfred Tennyson

. . . Love is love and there ain’t nothing greater. There is no emotion capable of so fundamentally altering and perturbing the human brain than can and does the one we call “love.” It clouds all reason and it’s the root cause of much of humankind’s best art: literature. Here are some noteworthy Tennyson poems:

01. — Milton
02. — Ulysses
03. — Claribel
04. — Mariana
05. — Timbuctoo
06. — The Charge of the Light Brigade
07. — Recollections of the Arabian Nights

Mars and Venus United by Love
“Mars and Venus United by Love”
by Paolo Veronese (c. 1575)

In this visually opulent and sensual painting, Cupid binds Mars (the god of war) to Venus with a love knot. It celebrates the civilizing and nurturing effects of love, as milk flows from Venus’s breast and Mars’s warhorse is restrained.

“Sap away”

· · · a poem · · ·


Sap my sap away
Switch A to a U
See now, it’s “Sup!”
.
Anyhow I’m drained
All’s so very strained
As in: “Depleted”
.
Paradise was there
Purgatory’s here:-
Penitence afire.


It’s all encapsulated, enveloped in a vividly coloured circular shape; it is not without ornithological appeal. I modelled it god-like out of willing and kneed full clay (sometimes viscus and earthy blue-gray brown, sometimes rocklike ochre, traced with terracotta). But the clay I am here referring to was actually a handful of timeless hourglass-grade sand; sometimes molten hot and sometimes, congealed, dull and cold, but either way, mine to sculpt. We can think of Madagascan spices and gemstones, we can think of what Ernest Shackleton[1] and Robert Falcon Scott[2] would have heard and observed. “To strive, to seek, to find, and not to yield” — it’s carved into a trunk of oak down there, below the Southern Ocean. The astute will note it is lifted from Tennyson’s “Ulysses.” it was chiselled out in 1913 and, 107 years on, faces out, steadfast and stoic, to the Roaring 40s. From that powerful poem I retype the following lines (Oh how divine, with hindsight, were those heady times):


It may be that the gulfs will wash us down
It may be we shall touch the Happy Isles


Alfred Tennyson

Harland Miller
Harland Miller is an English artist born in Yorkshire in 1964. He studied at London’s Chelsea School of Art, graduating in 1988.
Harland Miller
Notable artworks by Harland Miller include his giant canvases of Penguin Book covers. The paintings include sardonic statements, e.g., “Whitby – The Self Catering Years,” “Rags to Polyester – My Story” and, “Incurable Romantic Seeks Dirty Filthy Whore.”
Aldridge & Miller
Miles Aldridge (born 1964, London) is a fashion photographer and artist.
Photograph by Miles Aldridge
Photo by Miles Aldridge, book in hand by Harland Miller.


Post Script

[1]   Ernest Shackleton
I paraphrase in a wholly unworthy parallel: I had seen God in his splendors, heard the text that Nature renders. I’d reached the naked soul of [my] man.

[2]   Robert Falcon Scott
I paraphrase in a wholly unworthy parallel: I took risks, I knew I took them; things finally came out against me, and therefore I have no cause for complaint, but bow to the will of happenstance [& one too many rolls of life’s Damoclesian dice], despite this truly frightful plight, determined still am I, to do my best to make amends for the the past …

[3]   Sword of Damocles
If you say that someone has the Sword of Damocles hanging over them, you mean that they are in a situation in which something very bad could happen at any moment (an imminent and ever-present peril). It can also be used to denote the sense of foreboding; you feel it in your bones that something bad’s about to happen but you can’t be sure what (or more probably ‘how’). William Shakespeare used it in a fashion: “Uneasy lies the head that wears a crown.” In The Canterbury Tales, Chaucer refers to it too: “Above, where seated in his tower, /I saw Conquest depicted in his power/ There was a sharpened sword above his head / That hung there by the thinnest simple thread.” Roman poet Horace also alluded to it by waxing lyrical about the virtues of living a simple, rustic life; favouring this in preference to the myriad threats and anxieties that accompany holding a position of power.

Sword of Damocles
“Sword of Damocles”
by Richard Westall (1812)

[4]   Gouge away / You can gouge away / Stay all day / If you want to //

The dreadful mistake

deader than dead


My mistake was to treat you my Muse
//
I’ll tell you about ‘complicated’:
“I will tell you how I wander lost
— the books I note and the texts I read —
and the pain felt by my tongue-tied heart”

//
as though you were simply my mistress.

Path

^ Winn, R. (2018). The Salt Path. London: Penguin.

Sand City / Date grove

Clay tablet / Baked-earth Masjid

“Sirocco (Al Haboob)”


Just as does The Mayfly —
There was a moment in time, under a iridescent blinding light.
Where I shone so very bright and everything was alright.
I had in my grasp the flower of rejuvenation.
It’s nectar was desert rose, it’s sent jasmine carnation.
I was rapt by its blossoming beauty but it’s clasp and grip led me to take it for granted.
I placed it in a bouquet, my drops of dew sowed others too that I’d casually collected.
It was the time and place where I was made.
It’s now a haunting taste that I’m forbade.
For a ‘Naja haje’ snatched us apart one fang to our heart one to our soul.
Time gnawed away, memories darkened and heaven was rewritten as hell.
— far from you, I shall die.


S/he’s the unforgettable, ever-changing and eternally great being that consumes me in every single way.


— Tolstoy (1867) & Bidoonism (2020)


p. s.

* Video One.The Epic of Gilgamesh is the earliest substantive work of literature currently known to humankind; it was written down (etched with sun-dried, hand-sharpened Euphrates marsh reed quill into a freshly kneaded tablet of Tigris bank clay) by the Sumerians in c. 2,100 BC (yep.. over 4,000 years ago). In the video — retreived, youtu.be/QUcTsFe1PVs — you hear the opening lines of part of the epic, accompanied by a long-neck, three-string, Sumerian lute known as a “gish-gu-di.”

** Video Two.Light in Babylon are a celebration of the cosmopolitan traditions of both Istanbul and its Sephardic Jewish community; wih the stunning voice of Elia Kamal and the beautiful sound of the “san-tur.”

*** Inspiration. — A lecture on The Epic of Gilgamesh, given in 2017 at the Harvard Semitic Museum by Andrew George (Professor of Babylonian, School of Oriental and African Studies, University of London).

x+x = #AF69EE

mix ‘n’ meld


Roses are Red ~~
With my heart & soul, all of my wants and wishes are for you so, I’ll hereby wire them
— via seafloor cable & orbiting satellite —
to you this day
All my thoughts are with you, every single one of them so, I’ll hereby transfer them
— via seafloor cable & orbiting satellite —
to you this day
All my feelings of fire, every atom’s worth, are focused on you so, I’ll hereby file them
— via seafloor cable & orbiting satellite —
to you this day
All my desire, every ounce of my desire is directed at you so, I’ll hereby deliver this
— via seafloor cable & orbiting satellite —
to you this special day
~~ Violets are Blue
no this mon dieu
I “really” do
truly 💙 u

^ for my one&only

1969 Purple Haze

Map of Love

Can you read subtext ¿?¿


FB90743F-7569-48C8-93E9-93F1F65985A0


I wasn’t lookin’ but somehow you found me
I tried to hide from your love light
But like heaven above me
The spy who loved me
Is keepin’ all my secrets safe tonight

3AE50114-3BAC-41DD-9119-9BC04F7F39C5

And nobody does it better
Though sometimes I wish someone could
Nobody does it quite the way you do
Why’d you have to be so good?


— Carly Elisabeth Simon

verisimilitude
Verisimilitude: “A Kiss from Johnny”
by Robert Harris (1952)


I just lamely follow
I feel dead & hollow
I now feebly wallow
I am lower than low